In my late teens (many years ago),
I left a town in Northern Ireland to study in Belfast during the height of the
troubles – you’ll not be surprised to hear that arts events were rare. By my
early twenties, I’d moved to Dublin. In those days, cinema was one of the few
affordable arts and theatre was an expensive treat. Eventually, moving
back to town and country was a decision made for family reasons. Still, I remember
well the excitement of moving to Dublin - somehow it seemed similar recently on visiting
Edinburgh after so many years without the experience of living in a city. My
daughters laughed at my excitement, and in turn, I noticed their blasé attitude
to it all – they’re now used to having ready access to independent cinemas, contemporary
art exhibitions and the largest arts festival in the world on their doorstep the
Edinburgh Festival Fringe. Nowadays, or
maybe more so in the UK, lots of the events are affordable or free of charge.
I know I’m lucky to have a place
to stay in Edinburgh, at this time of year, but if you ever get the chance,
it’s wonderful to experience both the festivals and the city in August. It’s
difficult to get your head around just how big the fringe festival alone is -
over 300 venues and over 50,000 performances between 03rd and 26th
August. I had associated it with comedy, but there are a range of different
events including cabaret, theatre, dance, music, opera, childrens’ shows and
spoken word. The whole centre of Edinburgh becomes a festival with acts on the
streets, in bars, in cafes, in churches, in public buildings and spaces. Its scale, I found, mind-boggling.
I tried to browse online and in
advance about what was on and available during our stay, but the list was too
long to get my head around and to pick anything to go and see. The brochure is
the size of a city phone book. Not only
that, but there’s the Edinburgh International
Festival the Edinburgh Festival Fringe and the Edinburgh Art Festival all running
contemporaneously. I was like a rabbit in the headlights. My eldest daughter
advised that we go, float about, and pick a few random shows that appealed –
that had worked for her before. I was
nervous of this approach as I was afraid of missing something when we’d limited
time there.
In the end, we started with the
old reliable of a walk around some city centre sights and a visit to a museum, The National Museum
of Scotland What a wonderful museum,
and all free of charge – even the fashion room was a hit (including with my husband). Highlights
for me were the Inchkeith Lighthouse Lens, The Millennium Clock, all of the
fashion room (seriously cool), Dolly the sheep, a cast of Mary Queen of Scots
tombstone (original in Westminster Abbey), the viewing balcony from the
rooftop, and a temporary exhibition ‘Art of Glass’. The glass exhibition displayed
stunning examples of artistic work in glass from around the UK – such a range
of different and beautiful artefacts.
That evening, our daughters gave off to us – we were to stop going to things we could see another time and to start going to festival events and exhibitions – to live in the moment.
The following day we took the
duck and selected a few events from the flyers we’d lifted. We also booked ‘Shit-Faced Shakespeare’ who
were playing Hamlet in the McEwan Hall. Shakespeare as I’ve never seen it before -
with one drunk character. It was pretty hilarious and not for the easily-offended,
with Queen Gertrude the drunk character for that performance. Hamlet certainly
wasn’t left alone for the ‘To be or not to be…’ speech and it wasn’t just the audience doing
the heckling. Inspired, we tried the beer garden again and this time with some twenty-somethings
in tow – somehow, we’d embraced the chaos. The following day we tried to book Foil,
Arms and Hog, but fair play to them, it was a sell-out.
In the remaining days we sampled some Free Fringe The
Great Irish (Finnegans) Wake Off’ with four Irish comedians ‘I
am a rich man and I have many sons’ Andrew O’Neill ‘Gig
Economy’ Christian Reilly and ‘Mental’ Dave
Chawner We were never disappointed – all the shows were very different but very
entertaining. These events run on donations after the show (or free, if you can’t
afford or have the heart to ignore the donation bucket). So, after all, our
eldest daughter’s advice was best – just dive in, take a chance and choose some
random shows.
Alongside all the fun, chaos and craic, what surprised me most was just how much I loved the contemporary art exhibitions we visited in the Edinburgh Art Festival. The highlight of my visit (also voted so by my husband) was The Green Man, Lucy Skaer, at the Talbot Rice Gallery. The exhibition is designed for this particular space and inspired by many found objects from collections of the University of Edinburgh. WOW is about all I can say – maybe I’ll manage a poem at some stage that definitely won’t do it justice.
Having recently watched the BBC 2 Imagine programme on Tacita Dean we had both noticed that she had an exhibition in Fruitmarket Gallery, Edinburgh It was one of our few advanced plans. ‘Woman with a Red Hat’ didn’t disappoint. Although, I wish I’d gone upstairs for the information video first, but apart from that it was very thought provoking. I’m still mulling over her film about the acting process.
Two final exhibitions were also both
inspirational and haunting. A Bill
Viola video in the St. Cuthbert’s Church, and Shilpa
Gupta’s sound installation at the fire station, Tolcross. The former is in
the already intriguing location of an ancient church and graveyard below
Edinburgh Castle and beside the main thoroughfare of Princess Street in Edinburgh.
The short video is played beside the church altar and is both mesmerising and contemplative.
The latter is haunting, disturbing and pensive. ‘For in your tongue I cannot
hide’ records the writings of 100 international poets jailed for their writing.
In a darkened space, with poems speared to metal spikes, microphones are
suspended from the ceiling and poems are read and lines repeated. Sometimes
there’s a chorus of lines, otherwise, one microphone reads a poem – some are in
English but others in Arabic, Hindu, Spanish, Urdu, Chinese, Russian among
other languages. It’s an immersive experience of sound and sight – deeply moving.
Just to top it all, Edinburgh is
also a seriously beautiful and historic city full of sights to see at any time
of year. We’ll be back as soon as possible.